This film about sound recording for motion pictures features the talents of animator Max F
This film about sound recording for motion pictures features the talents of animator Max Fleischer who would later go on to make Betty Boop and Popeye. This film is a great example of his transition from the simple blacks and whites that characterized his earlier works, to his 1930’s animation which contained many shades of grey and more complex backgrounds. The narrator is a film strip who is trying to “find the voice” of his friend, a silent film. Their quest will reveal fascinating facts about the history of sound recording and sound editing, as well as answering the question, "how did sound get on film?" They are funny animations that make the information fun. The two film strips meet up with Dr. Western, who explains how sound was recorded back in 1920's talkies. There is footage of cameras being used in soundproof rooms and old folded horn style stage speakers. Eventually, the film strip finds his voice and the two sing “Merrily We Roll Along” together. This gem of a film is a wonderful opportunity to check out early cartoons made by one of the most famous animators of the twentieth century.
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Added: 3 days ago
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What with all the fuss about the new V for Vendetta film, you can't escape Alan Moore these days. But why would you want to? Because he is a genius, and the more people who recognise that, the better. There was a great piece devoted to him on BBC 2's Culture Show last week, which you can watch here. In it, Jonathan Ross points out that if a mainstream prose writer were producing work as complex and erudite as that of Moore, then that writer would be on the front page of every literary publication there is. And it's true. If a prose writer were producing anything vaguely as innovative and graceful and erudite and funny as Moore's work he or she would be hailed as a genius, but because Moore writes comics, he's simply not taken seriously. Which is stupidly unfair. Moore's books are sometimes thrilling, sometimes incredibly disturbing, sometimes funny, but always fascinating and always, even the most horrible ones, humane. And he can write everything from subversive Victorian pastiche to epic superhero drama to radical lefty satire to high comedy ("mind the oranges, Marlon!") to police drama. Can Philip Roth or Zadie Smith do that?
Pretty much everything he's done is outstanding (particularly The League of Extraordinary Gentlemen, a literary geek's fantastic dream), but I think my favourite of all of Moore's many, many series and books is Top 10. It's basically Hill Street Blues with superheroes - it's set in Neopolis, a city where everyone has super-powers, but it doesn't feel like a superhero comic a la X Men; it feels like a really good cop show. The characters are believable, likeable people first and "superheroes" second, and the books are sometimes very funny and sometimes very moving - pretty much every one of the three books has made me cry quite a bit. And there are so many tiny, geeky jokes in every frame - little visual references to myriad other elements of pop culture. In one scene of the second Top 10 volume set in a transport station, we see a bunch of people in the far background bearing placards demanding better wheelchair access. If you look closely, you can see that all of these tiny figures are famous wheel-using characters from the world of comics and science-fiction - one is Barbara 'Batgirl' Gordon, one is X-Men's Professor Xavier.....and one is a Dalek. But my favourite of all the Top 10 volumes is the most recent offering The Forty Niners, which is set during the founding of Neopolis in 1949 and which is simply one of the best graphic novels I've ever read. And yes, it made me cry too. And laugh. And go, "oh wow, that's so cool!"
And there are very few writers who can evoke all of those responses. Here's to you, Alan Moore. Long may you roam around Northampton, making up the strangest and most wonderful stories in the world.
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Added: 1 month ago
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A boy sees a mermaid, everyone calls him crazy and forces him into an institute to rid him
A boy sees a mermaid, everyone calls him crazy and forces him into an institute to rid him of his delusions. But are they really delusions?! Let's find out!
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Added: 3 months ago
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A heated debate between Charlie Parker and Dizzy Gillespie.
The recording is "Leap Frog
A heated debate between Charlie Parker and Dizzy Gillespie.
The recording is "Leap Frog", from Bird And Diz.
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Added: 1 year ago
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The Key to Reserva: Scorcese films a "lost" Hitchcock script. A briliant advertisement and
The Key to Reserva: Scorcese films a "lost" Hitchcock script. A briliant advertisement and a complex homage to Alfred Hitchcock and Bernard Hermmann.
" - But the trick is to preserve a film that has NOT been made. That's never been done."
" - That's never been done?"
" - No. Never been done."
References: North by Northwest, The Man Who Knew Too Much, Rear Window, Notorious, Rope, Saboteur, The Birds.
Freixenet
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Added: 7 months ago
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Duke Ellington: Take The "A" Train
Added: 1 month ago
Views: 456
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